"THE MUSIC MAN" Brings Community Together

Professor Harold Hill may have intended to unite River City, Iowa through his musical production, but did he know he would accomplish the same for the Cedar Valley? That happened with ‘The Music Man’ presented in the Gallagher Bluedorn’s Catherine Cassidy Gallagher Great Hall stage. In total, 43 actors, 27 musicians, and over a dozen techies representing the Cedar Valley created a delightful 3-show run in late October 2024. The four collaborating organizations responsible included the Cedar Falls Community Theatre, Gallagher Bluedorn Performing Arts Center (GBPAC), Waterloo Community Playhouse (WCP), and the WCF Symphony.

The themes of the 1957 Tony- and Grammy-winning Broadway musical resonate deeply with the spirit of this second such collaborative Cedar Valley production. Much like the townspeople of River City, this cast and crew came together, each contributing their talents, hard work and thousands of hours over two months, to bring this story to life. The town’s journey from skepticism to unity underlines the importance of embracing differences and working towards a shared goal, a sentiment that was center stage on stage.

"Collaboration is hard,” shared Steve Carignan, GBPAC’s executive director. “It requires trust, and a supremely talented team that is able to sublimate egos in pursuit of excellence and a shared vision. We are lucky to live in a community where such a thing is possible. I know of no one else in the state or region even attempting this level of collaboration.”

This production of ‘The Music Man’, written by Mason City, Iowa’s own Meredith Willson, showcased the heart and humor that makes this classic, honored musical a beloved staple in American theater. Under the lively and spirited direction of Anita Ross, WCP’s executive director, the show not only entertained but also delivered a powerful message about the strength of community, embracing the ‘new’, and the beauty of coming together despite our differences. 

Casey Tecklenburg, Cedar Falls Peet Junior High vocal music director by day, brought charm and charisma to the lead role of Harold Hill. He perfectly embodied the smooth-talking yet well-meaning con man who finds himself unexpectedly changed by the acceptance and sincerity of River City. Opposite him, Kim Willow starred as Marian Paroo. Willow has toured nationally and performed professionally in regional theater – and it was evident. She delivered a compelling and graceful performance, and her soprano voice blended nicely with Tecklenburg’s baritone. Their chemistry added depth to the show’s central love story. This reviewer hopes she will find her way back to the stage often.

The large ensemble cast was equally impressive, with each member playing a vital role in creating the lively atmosphere of River City. Young and once-young actors presented music, dance, and dialogue with passion. To the audience, the cast looked like they were enjoying themselves, giving the audience permission to follow suit. The show's musical numbers, from the foot-tapping "Seventy-Six Trombones" to the choreographer’s challenge “Marian the Librarian” to the tender "Till There Was You," were executed with energy, drawing the audience in and keeping them engaged throughout. Even the necessary scene changes were bridged by beautiful music. A final standing ovation, complete with rhythmic clapping, was a testament to their appreciation of the team’s effort.

This reviewer especially noted Arlo Masmar as Winthrop Paroo. The 7-year-old’s version of ‘Gary, Indiana’ and ’Wells Fargo Wagon’ were performed naturally and with panache. More roles are ahead of him. The Traveling Salesmen entertained with a great presence from the first scene and musical number of the show, handling the tricky train syncopation with ease. That fast-paced patter pops up several times in the show and must be a challenge for some actors to handle. Kim Groninga was superb as Marian’s Irish mother. Her brogue had a rolling lilt important for her character. The four disagreeing Councilmen formed a very agreeable barbershop quartet with a great blend. Their sharp harmonies made me long for a malted milk from a druggist’s counter. Finally, this review would not be complete without mention of the ‘Pick-a-Little’ ladies. They were crisp and left me hoping for a reprise (there was!).

Besides the 40+ actors on stage, there were many hands behind the curtain, plus an orchestra of over two dozen pieces led by Jason Weinberger, artistic director at the WCF Symphony. Can we add another major star to ‘The Music Man’ cast? The pit orchestra was tight! These professional musicians brought an excellence most ‘community’ theaters would beg for. The sound was exceptional (are we spoiled with the Great Hall?), and the lighting was spot-on, too.

A last note (I promise) gives a big nod to costuming. Elizabeth Burdine, costume designer, is a UNI grad with experience costuming for WCP. The pieces looked period, yet the considerable dancing was not restricted. Costume changes were handled seamlessly.

Overall, this production of ‘The Music Man’ was a testament to the magic that happens when a community unites for a common cause. It wasn’t just about delivering a great show—it was about showing the power of collaboration.

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Blake Conover serves on the Friends Board and has served on the boards of WCP and CFCT.